While on the Venice Film Festival to pay tribute to Ruggero Deodato, “Drive” and “The Neon Demon” filmmaker Nicolas Winding Refn participated in a masterclass and bashed streamers for being “overfunded and rotten with cash and cocaine.”
The director, who beforehand infuriated some within the movie biz by claiming that “cinema is lifeless,” stated he has considerably modified his thoughts and can now battle for cinema to proceed on as a result of streamers have “sort of saturated every thing” and “devalued content material to only a swipe.”
Refn, who final directed the collection “Copenhagen Cowboy” for Netflix, stated “it’s extremely unhappy and terrifying as a result of artwork is basically the one factor – in addition to, , intercourse, water and happiness — that makes us exist.”
“Even although I projected it was lifeless just a few years in the past, it has became one thing we’ve to battle for,” he added. “Theatrical films are a part of what makes us human and expertise creativity.”
The director, who lives in Copenhagen along with his spouse and youngsters, went on to tie streamers to the hazards of synthetic intelligence saying that it’s “actually one thing affecting our business.”
“AI is just not an artist,” Refn proclaimed. “AI is a product.”
Refn additionally advised the group that he’s engaged on a brand new film. Before “Copenhagen Cowboy” for Netflix, the director teamed up with Amazon for the collection “Too Old to Die Young.” The 2019 launch, starring Miles Teller within the lead position, didn’t get a second season on the platform.
