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Despite an unimaginable third act, a lot of Ben Wheatley’s Meg 2: The Trench appears to overlook what really makes a great Meg movie.
Taking over directing duties from Jon Turtletaub, Ben Wheatley helms an uneven sequel to The Meg. On paper, this follow-up appears prefer it has the whole lot it wants. Jason Statham returns as grumpy rescue diver Jonas Taylor, now chasing down individuals who abuse the oceans to present them a great flying kick. It additionally has extra megalodons – the large prehistoric sharks that Jonas and the scientists at an underwater analysis institute have gone up in opposition to earlier than.
Before we revisit Jonas – now additionally serving as an adopted dad determine to 14-year-old Meiying (Sophia Cai) – The Trench presents an odd prelude. Our introduction to the movie takes us again to prehistoric occasions to see a meg chomp effortlessly by way of a T-Rex. It rapidly turns into clear as to why Meg 2 makes an attempt to seize our consideration in that method. It’s the final time you see a shark on the rampage for fairly a while, as a movie ostensibly about megs goes off on a comparatively meg-less tangent.
Once we meet up with Jonas and meet new characters, most significantly Meiying’s businessman uncle Jiuming (Wu Jing), we start to get into acquainted territory. After the dying of his father within the earlier film, Jiuming has merged his firm along with his personal, persevering with the analysis into the ditch far beneath the ocean. As is common for these sorts of movies, the characters appear to unthinkingly pursue avenues of analysis which have confirmed harmful. This is doubly so with Jiuming, who’s recreated a type of Jurassic Park scenario by maintaining a megalodon captive within the institute and trying to tame it. It’s going about in addition to you may count on.
You would suppose that after Jonas and co as soon as once more take a dive into the ditch – and grow to be caught there – that the actual motion would start. Unfortunately, that assumption proves incorrect. There’s extra exploration of the ditch than within the earlier movie, and a few of it’s fairly good wanting, however you’ll be able to’t assist however be reminded of how streamlined The Meg was in getting the characters, and sharks, out of the ditch and into the actual, thrilling motion. By comparability, Meg 2 feels prefer it’s suspended in what’s purported to be merely preamble for longer than it actually must be.
You come to grasp on this part that the film owes loads to Jaws in that for a major chunk the antagonist is capitalism, not sharks. That’s all properly and good for a Jaws movie, however the profitable components for The Meg was easy – Statham versus megalodon. The motion star nearly retains issues afloat along with his gruff likeability, and Sophia Cai and Wu Jing are additionally excellent. However it appears to have been forgotten that folks aren’t watching a Meg film to study in regards to the inner enterprise politics of the analysis institute, or for a half-baked environmentalist message.
Even when issues do get a bit thrilling, the stakes don’t really feel that top. The new supporting characters are underdeveloped and really feel expendable. There’s no sense of dread about who may be subsequent to die. The motion is principally in opposition to different people, and there are some memorable events the place the movie presents some very ingenious (AKA simply the correct quantity of grotesque) attainable conclusions to fights, solely to cop out and have it finish a lot much less curiously – in all probability due to that 12A certificates.
When the third act lastly does come round, it’s an absolute pleasure. It’s as if the screenwriters – Dean Georgaris and Jon and Erich Hoeber – out of the blue remembered they have been writing a Meg movie, and introduced the whole lot you can probably wish to the desk. At this level we get to see much more of Cliff Curtis and Page Kennedy, who reprise their roles from the final film and appear to be having a variety of enjoyable on this, even when a few of their jokes don’t fairly land.
As a number of megs converge on an island of vacationers (somebody from this manufacturing ought to ship Spielberg a ‘thanks’ word), we get explosions, harpoons, jet skis and helicopters. Those ingenious deaths that the movie shies away from early on are apparently acceptable in the case of CGI fish, and the canine Pippin even seems once more. He and his proprietor have to be actually unfortunate to have this occur to them twice.
It does spend a while tying up the human tales it units up early on, however finally the ending provides you what you actually need – Jason Statham combating sharks, and sometimes making unhealthy puns. If The Meg 2 had spent its two hours delivering that, it might have been an incredible success.
Meg 2: The Trench is in cinemas now.
—
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