Your preconceptions are about to be body-slammed by the high-voltage Canadian horror comedy Here For Blood by director Daniel Turres. It was written by James Roberts and shot in London, Ontario. The film opens with a horrific scene that includes carnage courtesy of Loverboy (Channing Decker), a musclebound masked psychopath in black leather-based.
We then meet Phoebe (Joelle Farrow), who’s broke and is babysitting a 10-year-old woman that night time. However, she is getting her diploma and desires to review for tomorrow’s large check, so she asks her mates Christine (Samantha Helt) and Mike (Kelly Penner) what she will do. They say, how about getting her boyfriend Tom (Shawn Roberts), an equally broke newbie wrestler, to fill in and watch little Grace (Maya Misaljevic) that night time?
“Gathered within the barn with him are a cult of menacing figures in masks and leather-based…”
After Phoebe makes the change, Tom is frightened that male babysitters will likely be seen as probably creepy. This is precisely what crosses the thoughts of Grace’s step-dad Gill (Michael Therriault) when big, hulking Tom reveals up. Mom Barb (Tara Spencer-Nairn) takes the last-minute change in stride, leaving freshly baked cookies and pizza cash whereas she and Gill are out. Little Grace places Tom to work taking part in video ages along with her whereas they anticipate that double cheese pizza. Turns out the pizza boy (Steven Love) has seen Tom wrestle many occasions and is a fan. On the best way out, Pizza Boy hears a commotion within the barn and investigates. Inside the barn is Loverboy, who cuts the pizza boy into slices.
Gathered within the barn with him are a cult of menacing figures in masks and leather-based, together with Meat (Marc-Andre Boullanger), Slackjaw (Jimmy Limb), and their sinister chief, The Jackal (Glen Michael Grant). Tom hears some noises and comes right down to the kitchen to search out masked Bernie (Jesse Buck) prepared to chop him into ribbons. Meanwhile, Spinhead (Marqus Bobesich), a leather-clad lurker with an upside-down face masks, is creeping up behind little Grace.
Wrestlers have an extended and proud historical past spanning many years of performing in sensational cinema. However, it’s seldom that their onscreen characters are literally wrestlers themselves. There isn’t any hiding it; the opening credit unroll over considered one of Tom’s wrestling matches, with the 1993 tune “When the Whip Comes Down” by Slash Puppet rocking within the background.
